Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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TINTORETTO, Jacopo
Flight into Egypt

ID: 41145

TINTORETTO, Jacopo Flight into Egypt
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TINTORETTO, Jacopo Flight into Egypt


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TINTORETTO, Jacopo

Birth Year:, 1518. Death Year:, 1594  Related Paintings of TINTORETTO, Jacopo :. | Judith and Holofernes (detail) s | Mary Magdalene | Saint George,The Princess and the Dragon | Christ before Pilate | The Origin of the Milky Way |
Related Artists:
Archip Iwanowitsch Kuindshi
painted Nacht in ca. 1905e1908
Pasternak, Leonid
Russian, 1862-1945 Russian painter of Ukrainian birth. From 1881 to 1883 Pasternak studied painting privately with Professor Yevgraf Semyonovich Sorokin (1821-92), while working towards a degree in medicine. Switching to law, he also spent several terms studying drawing at the Akademie in Munich between 1883 and 1885. He had his first success in 1889 when his large genre painting in oil, News from Home (1.10*1.52 m, 1888; Moscow, Tret'yakov Gal.), was bought by the influential collector Pavel Tret'yakov. The painting reflects the influence of his German teachers in the sombre tones and the emphasis on the realism of the figures and setting. In 1889 he settled in Moscow and established his own art school.
GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.






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